Talented Tuesday: NZ Music Month #1

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www.nzmusicmonth.co.nz

May is New Zealand Music Month!

This is part one of  a series of blog posts during May to celebrate New Zealand Music Month. Each week it will highlight Auckland Libraries heritage resources relating to New Zealand music, and its talented musicians, across all genres. So, if you have a "muso" in your family's history and are looking for information on them, these resources might just help you with your search.

Gareeb Stephen Shalfoon (1904-1953), "Epi"- a nickname from his family, was a jazzer who initially played piano but he taught himself how to play clarinet and saxophone  because he said at that time it was easier to hire a pianist than horn players. In 1924 he put together a band called the Melody Boys who went on to make New Zealand's first jazz recording. It eventually became a family affair - his daughter Reo, a very talented and popular singer in her own right, frequently performed with the band.

Epi Shalfoon and the Melody Boys, Filmcraft, 1930.
Image from the Film Archive.

Sadly, Epi died at the young age of 48. He collapsed while dancing with his daughter at his favourite music venue, the Crystal Palace Ballroom.

Auckland Star, 26 September 1942, page 9.


The New Zealand Music Index is a wonderful source of information relating to New Zealand soloists, groups, ensembles and concerts. It is in card format as it has yet to be digitised, but the staff at the Research Centre are able to check the index for a name on your behalf.

This is a typical  index card and this entry for Epi Shalfoon recommends two resources. First, there is a reference to the New Zealand Music Scrapbook (NZMSB) and secondly, an article written by his daughter, Reo Sheirtcliff (nee Shalfoon), 'Dancing in the dark: a memoir of Epi Shalfoon', published in Music in New Zealand, No 10 (Spring 1990): 40--45.

New Zealand Music Index card, Auckland Libraries

Are there any musical performers in your family tree that you may have overlooked? Next time you are in the Central Auckland Research Centre ask us about the Music Index.

Karen

Book Review: Pills & Potions

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Quackery Prevention
Pills & Potions at the Cotter Medical History Trust
By Claire Le Couteur
Otago University Press, 2014


This recent addition to the Central Auckland Research Centre's collection shares some of the bizarre and miraculous-sounding medicines sold in New Zealand before the 1942 Medical Advertisements Act restricted excessive advertising and false testimonials.
Medicine time in the Kindergarten, 1938
 Sir George Grey Special Collections, AWNS-19381116-53-3. 

Rather than gain a patent, manufacturers of the time trademarked their products in order to conceal their ingredients and method of production from competitors. When the 1904 government tried to curb their extravagant claims they were defeated by both the manufacturers and newspaper owners – who would have lost advertising revenue as a result.

Advertisement for Dr Ensor's Tamer Juice
New Zealand Herald, 6 July 1911

Auckland Star, 1 April 1938

Wanganui Chronicle, 16 January 1907






















Although the 1908 Quackery Prevention Act tried to restrict advertising, it too failed. It wasn’t until the 1942 Act that excessive claims had to be proved before being advertised, and fictitious endorsements ceased. Consequently, many remedies were taken off the market.

Fortunately, The Cotter Trust in Christchurch has a collection of these remedies whose history has been beautifully documented in this book.

Leanne

Workday Wednesday: Land Girls

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A few weeks back here at Kintalk, we posted a blog on the Bomb Girls of England, those women and girls who worked in the munitions factories in the English countryside during World War One.

In New Zealand, as in the UK, the manpower shortage meant there was also a significant shortage of workers to another most important part of the economy – the farms -  and that problem was solved by the introduction of  The Women's Land Service.

An estimated 4000 young women, most often townies, were sent to work on farms with a view to doing the ‘man’s work.’ For many, it was their first time on a farm and there was no getting around the fact they had to become jacks-of-all-trades, and do real, gritty farm work.  They docked lambs tails, learned to shear, harvested, sowed, baled fertiliser planted, drove tractors  – any farm work that needed to be done, they did it.  Despite this massive culture shift, the head of the Women’s Land Service described the young women as “a very fine type, not afraid of work and willing to learn.”

By accounts, many of the girls were good workers. Maybe too good as the article “Is It Jealousy?” in the Auckland Star (2 November 1943) suggested when the North Otago Farmers’ Union moved to employ the girls as domestic workers instead of farm workers. The article suggested the farmers wanted the girls to be taken down a peg, and condemned the move.

Click here to read more.
The Land Service was not a scheme without problems, however. Locals could resent the girls, conditions could be gruelling, wives were often suspicious, and the girls themselves could be subject to sexual harassment.

Sadly, inspite of their labour keeping the country going during the war years, their contribution was largely unacknowledged; they didn't qualify as service people so were unable to be members of the RSA. In fact the only group to openly acknowledge their contribution was Federated Farmers. The Land Girls held reunions for many years after the war, and in recent times were finally given some recognition - Certificates of Appreciation from the New Zealand Government.

For more about the Land Girls, check out Dianne Bardsley’s book “The Land Girls: In a man’s world, 1939-1946.”  There are borrowable copies available in Auckland Libraries.

Joanne